It was driven by the Steinberg guys, Im sure, and the other developers in that area.Collections Collections Features Interviews Videos Lectures Search Red Bull Music Academy Red Bull Music Collections Features Interviews Videos Lectures Red Bull Music Academy Search.
Those with access to money and high-end studios could use the pioneering but cumbersome Fairlight CMI, while home enthusiasts with a Commodore 64 had a few very simple tracker style sequencers to choose from. When the computer music revolution finally did arrive in earnest, it was thanks not to a dedicated music-making machine but rather a personal computer: the Atari ST. The story of the computers development, and its battle for supremacy with Commodores Amiga range, has since become the stuff of legend, with both playing their part in bringing home computing to the masses. Born in Poland to Jewish parents, Tramiel suffered in Nazi concentration camps during the Second World War, eventually making it the United States and a promising new life in 1947. During the 1960s, Tramiel created a manufacturing empire by focusing on typewriters and calculators before turning his attention to business computers in the 1970s. By the time the 1980s rolled around, the Commodore International company hed founded controlled a significant share of the home computing market. The two clashed at a particularly stormy board meeting that ended with Tramiel walking away from the company. In a burst of competitive energy, Tramiel bought the US arm of video game manufacturer Atari six months later and set about developing a next-generation personal computer that would blow Commodores in-development rival, the Amiga, out of the water. Atari St Cubase Software Sequencers EnsuredThe combination of tight timing, built-in MIDI capability and a new generation of user-friendly software sequencers ensured that the Atari ST was the first major step in the democratization of electronic music production. When news of Tramiels takeover reached the developers at Ataris Californian headquarters, panic spread around the office. According to a 2008 blog post by former Atari programmer Landon Dyer, few of his colleagues were pleased with the news. My office-mate had worked at Commodore a few years earlier, he wrote. I didnt know anything about Jack, but this wasnt a good sign. Those that remained, including Dyer, were given less than a year to build a new personal computer, complete with its own bespoke operating system. The fact that they managed to do it ahead of schedule remains a remarkable achievement, and what theyd come up with was, for its time, a very versatile home computer. Journalists quickly dubbed it the Jackintosh, as it mirrored some of the Apple Macintoshs capabilities at a fraction of the cost. Atari St Cubase 32 Bit Central ProcessingCarys Huws Carys Huws When the first Atari 520ST units rolled off the production line in June 1985 beating Commodores Amiga by a month they came loaded with 512 KB of RAM, a Motorola 6800 1632 bit central processing unit and a Yamaha YM2149 sound chip. What made it so attractive to budding computer musicians, though, was the computers MIDI capability. The ST was the first computer to come with MIDI In and OutThru ports built into the casing. Some of the music we made was only possible because of the amount of MIDI information the Atari can process. Even those employed by Atari at the time dont seem to know why the decision was made. I never met a music expert who worked for Atari in the US, or any of the European territories.
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